This research investigated the use of 3D documentation and the various modes of non-invasive scientific imaging and analysis in heritage science, for use as powerful interpretation material. This material could be used by museums, heritage organisations, conservation and heritage science researchers to create greater impact and public engagement. Scientific imaging, analysis and 3D modelling can be used to illustrate and develop the object biography. 3D modelling, through the medium of film, can be employed to communicate complex scientific concepts in a ‘micro documentary’ format that enriches the understanding and interpretation of our material culture. 

​

The film making approach lends itself to ‘transmedia story telling’ across a range of web and social media platforms. This is particularly relevant to the smaller and non-national museums who would not have the research facilities or media skills to achieve this within their own resources and funding structures. This aspect of the research asks some pertinent questions as to the nature of the motivating factors that would bring heritage scientists, conservators, curators and interpretation specialists to work collaboratively on projects such as this. It also reveals substantial barriers to these collaborations, especially for the non-national, non-research enabled museums.